Artist Carolee Clark’s passion for what she creates is so profound it is invariably translated in one-of-a-kind pieces that are her own treasures. Born with a paintbrush in her hand, Carolee’s mother was her inspiration to become an artist from very early on.

“My mother always enjoyed painting and she would encourage me and my sisters to draw while she set up her easel. I’ve been drawing as far back as I can remember, but when I was 20, my mother gave me a small set of watercolors, and I was hooked. They unlocked a world of color for me,” she said.

Shawna Erback is a Canadian artist who has loyal collectors of her work from around the world. Her art is featured in galleries, gift shops and on the walls of celebrity clients. Her art works can be found on TV and movie sets, licensed products and in the homes and offices of tens of thousands of private collectors.

Shawna started painting when she was a child, but her journey to becoming a professional artist began during Christmas of 2003, a month after the death of her father. Her collectors have followed the journey of a little girl through fantastical fields and forests, past sad and lonely moons, on the backs of giant turtles and fairy peacocks. They have met her special friends, like her faithful heart pet, grand giraffes and majestic lions.

Trish Biddle

Trish Biddle grew up in Minnesota in the world of art, alongside her mother, who enrolled her in every art class and contest, in which she would usually come in second place. This made her work even harder. On her own, she moved to Dallas fresh out of high school, ultimately graduating from the Dallas Institute of Art.

Pursuing her artistic dream, Trish secured a job as a textile designer and a fashion illustrator for a clothing manufacturer. She later moved to the J.C. Penney home office in the design department. After several years in the corporate world, she decided it wasn’t for her, so she went to work as a freelance artist. She was signed by a textile agent in New York City and continued to freelance for several years. 

Ilene Robinette

Growing up in rural Wisconsin, Ilene Robinette loved her Barbie dolls. “I especially adored the inside catalog small illustrations I found packaged with Barbie’s outfits. I wanted her glamorous city life, too, which was a far cry from my little girl life in Wisconsin!”

By age 10, Ilene knew she wanted a career as a fashion illustrator. Always drawing women figures and models, at age 18, she chose the Ray Vogue Art School in Chicago, where she learned to draw fashion. After graduation, in the mid-1970s Ilene worked in department store retail advertising in the Chicago Loop. “It was a good place to start as I got to draw all fashion ads.” Next in 1974, she landed a fashion illustrator position at Chas A. Stevens & Sons, a well-known women’s clothing store. “My ads were featured in the Chicago Tribune, various magazines and other publications. It was a big deal for me, and I loved that job.” As an apprentice illustrator she drew from models. Ilene also gained expertise with art forms other illustrators had no desire to draw. “I drew accessories such as jewelry, shoes, scarves, cosmetic bottles and sunglasses, so I became good at that, too!” This led her to becoming head illustrator. She worked until 1981 in Stevens visual merchandising department and fashion office developing the right “look and attitude” for garments and ads.

Lanier Bradberry

Originally born in Dunwoody, GA, moving about every nine months, and attending more than 14 schools, Lanier Bradberry was used to an ever changing life on the go. With so much change it was hard to grasp on to a hometown, or a steady friend group, but Lanier found her outlet—art.

“Art has always been a constant for me. I started painting when I was six, and I’ve never stopped,” Lanier expressed. One of her first memories of painting was in an old barn in Georgia when she was 6 years old. Lanier has lived on Hilton Head Island, the place she officially calls home, for the past seven years with her parents and four sisters. She graduated from Hilton Head Island High School in 2018 and now attends Technical College of the Lowcountry. She is working toward her associates degree in the arts and looking forward to possibly continuing her education in the study of psychology to become a therapist.

Amine Badr

Artist Amine Badr moved to America with the intention of making a living doing what he loves—painting. It was his Uncle Aziz Kadmiri, a successful Atlanta-based artist and two-time Pink Magazine cover artist, who encouraged Amine to leave Europe to pursue art full time. It is harder in Europe where new artists still compete with the residual elite art mentality that remains virtually governed by the era of world-renown masters such as Picasso and Monet.

Like her art, Donna Barnako is a multi-faceted lady. Her abstract style, filled with a menagerie of color palettes, is a direct reflection of the artist, herself. She is both serious and whimsical, gentle and tough, experienced and innocent. Being a former French translator in Brussels and having a big career as a health care lobbyist in DC afforded Donna many things, but a creative, artistic outlet wasn’t one of them. Nonetheless, she did that on her own, and with a full head of knowledge turned her craft into business, as well.

She owned a yarn shop for 15 years to share her love of knitting and fine, exotic yarns with those who shared her passion. “I took groups on knitting tours around the world. We could be in Ireland or somewhere in the world and all be on the tour bus knitting as we traveled to our next stop.”

“Wow look at that one,” the girl exclaimed while making her way through the charming SOBA gallery in downtown Bluffton. She had been walking around the featured artist room when finally, her eyes fixated on the painting hanging across from her, “The Reader,” making it clear the painting captured more than just our attention at Pink Magazine.

For Nelson Boren, cover artist at Pink Magazine, this is not his first rodeo. The Utah-based artist contributed the February 2009 Pink cover, the only cover that doesn’t feature a female. While Nelson has been involved in creating art since he was a child, he became a full-time artist in the 1990s and has explored painting ever since.

A professional art career came late to Peter O’Neill, but in truth, it was close to not coming at all. After two failed marriages and a botched suicide attempt, Peter O’Neill felt he had nothing and found himself in a New Jersey hospital hopelessly despondent and in treatment for acute depression. Then something clicked within him. He looked around at the others with truly severe mental impairments and realized he did not belong where he was. He checked out of the hospital and literally, checked himself back into life.

In the town of Lake City, SC, Baker’s Sweets cafe and bakery sits on Main Street, and during this small, rejuvenated town’s 9-day long art festival, Artfields, it’s hard to get a seat. This bustling spot is one of the many store fronts that displays the more than 400 works of juried art, which plays host to thousands of visitors who come from far and wide to take in the festival. This month’s cover piece was one of this year’s entries in the prestigious Artfield’s event and not only caught our Publisher Elizabeth Millen’s eye, but also her heart.

“I was at Baker’s Sweets trying not to eat cake when I saw this painting. I leaped from my chair and ran over to gawk. In an instant, I was fully immersed in memories of my days riding my bike at the beach. I was so touched by this painting and instantly connected with its subject. And, the painting itself is masterful, stunning. I loved everything about it!” said Elizabeth.

Four-time Pink cover artist Karen Tarlton began her career 23 years ago, when her husband started his work as an F-16 pilot and test pilot for the United States Air Force. Characteristic of her creativity, Karen’s first works were painted murals on walls and furniture. She began to shift toward painting fine art on canvas about 20 years ago. Since then, Karen has sold her paintings around the globe, shipping to a different country practically every day. “I paint because I love it. I’m so fortunate to do what I am passionate about for a living.”

Candace Whittemore Lovely

In celebration of Pink’s 15th birthday, we are delighted to have the work of American Impressionist Painter and legendary local artist Candace Whittemore Lovely gracing the cover of the magazine for an unprecedented tenth issue. A Copely Master, trained in the Boston School tradition, Candace’s self-professed “fascination of the woman” has been in perfect symmetry with friend and Publisher Elizabeth Millen’s Pink philosophy of celebrating women from the start. 

Amos Hummell has been a doodler all his life. For the past 35 years, the self-trained, March Pink and Paisley cover artist has been a colorful, folk-art inspired fixture on the local Lowcountry art scene. Though he dabbled in the traditional medium of oil on canvas for a short time a few years back, Amos’ style explores beyond the lines and is far looser than the confines of tradition. “For me, oil painting is like trying to play rock and roll on a typewriter. It’s just too slow; I can’t jam and I need to jam.”

Amos now favors digital pen and ink drawings, which he creates with a stylus on his iPhone and immediately posts to his Facebook page, much to the delight of his loyal local fans.

Aziz Kadmiri

Moroccan born Aziz Kadmiri landed in Atlanta in 2012 and hit the ground racing onto the American art scene. His imaginative vision is as broad and diverse as his background. He grew up in Casablanca, graduated from the Ecole Hôtelière de Lausanne in Switzerland and moved to Paris, where he received his master’s degree in hotel management at the Université Paris-Dauphine. He has lived in Barcelona, Rome and has homes in Paris and Marrakesh, Morocco. He has made Atlanta his permanent residence.