Amos Hummell has been a doodler all his life. For the past 35 years, the self-trained, June Pink cover artist has been a colorful, folk-art inspired fixture on the local Lowcountry art scene.
Though he dabbled in the traditional medium of “paint-on-anything” a few years ago, Amos’ playful style comes to life mostly on canvas these days. However, his work still fabulously explores beyond the lines and is far looser than the confines of formality. We’re not saying this just to be catchy—Amos truly is famous in the Lowcountry and beyond. Not only is he creative, his use of color and his perspective on the ordinary is what makes his work so extraordinary. He was Pink Magazine’s sixth artist, way back in 2004, to ever grace a cover. His style is all his own, he is one cool dude, and Pink is lucky to be able to work with him for the third time in featuring his art.

“Don't be afraid to make waves, the moon does it all the time.”

Tia Riva has been creating artwork for as long as she can remember, in every form, with every media, in every creative way she could imagine.

She initially fell for watercolors, and after years of riding her artistic wave in life and graduating with an Associates in Fine Art, Tia discovered her niche: a mixed-media watercolor illustrator. This self-titled genre is a melding of happiness, combining her love of whimsy, positivity, and fulfilling quotes. Her artwork comes alive through layers of watercolors, ink, salt, Prismacolors and bits and pieces from old and new. The vibrant colors, textures, symbols, words, and patterns provide inspiration beyond paper. After the pieces dry, she meticulously details each one with Prismacolor and metallic markers. Deep feelings and emotions resonate with each of her one-of-a-kind pieces.

As an artist, John Crum strives to develop paintings that speak about the world and the moments that affect our lives and environment—personal moments that have made a fond memory or lasting imprint. He believes a painting should evoke thought, awaken a memory, or spark an idea. “My subjects begin as an observation or in a passing moment. Capturing that image and putting the message onto canvas is my most gratifying accomplishment. I consider a painting successful when the viewer stops, takes a closer look, and then smiles,” said John.

Joyce Huntington, who’s artwork is founded in energy, is always looking for ways to get her energy out there. She’s excited to do this through Pink as our cover artist this month.

Joyce’s work is always a meditative process. Many of the images she paints are given to her during meditation, or come during those moments between worlds, when one is just waking up. “I don’t try to figure out their meanings, I just paint the vision. Time stops when I start mixing colors; intuition guides my strokes. Painting is all about discovery, making connections between the subconscious mind, the hand, and the canvas. There’s always a surprise when I put down the brush and move back, always more and less than I intended,” said Joyce. It is usually at this point she begins to see and understand what her subconscious was manifesting during her state of deep thought.

"Lighthearted, joyful even, with a bit of the spiritual element...a very good place to be!” This is how Deborah Gregg views her art, and it is an all-encompassing description of her incredible folk art that graces Pink Magazine's cover this month.

Deborah grew up in Illinois as a middle child with four siblings. She has lived in many places, but the Midwest, with its beautifully changing seasons, captured her heart. She resides in an old farmhouse (complete with flowers and picket fence!) in small town Minnesota. She has two adult daughters, Rigel and Brigitte, four beautiful grandchildren, and you can always find a kitty on her lap.

One of 15 siblings, Artist Sabreee is a native South Carolinian from the small farm town of Lake City. Though her youth was mostly spent working on her family’s 300-acre farm, Sabreee always knew she had to be an artist.

“I knew from day one I was an artist. It was inside me from the time I knew who I was,” she said.

Unlike many farming families, Sabreee’s parents, along with her brothers and sisters, all supported her passion for art. They encouraged her to be what she wanted to be, but that didn’t get her out of all the daily chores. Her parents were loyal sharecroppers who taught their children the value of hard work, which is certainly what contributed to her strong craving for education and the desire for another way of life.

As a child, Holly Irwin dreamed of becoming an artist. With encouragement from her mother, she began formal art classes at age 11, studying under Pittsburgh's legendary art teacher, Joseph Fitzpatrick, whose list of famous students include Andy Warhol. Four years later, at age 15 years, Holly was awarded a scholarship to Carnegie-Mellon University’s fine arts program for high school students.

“My mother was an artist, a fashion illustrator and a seamstress; she made all of our clothes, even coats and hats,” said Holly. “So I guess it’s not a surprise that fashion and design inspire me most. I create my own fashions on canvas using the language of color, line and composition. I love taking one of my drawings and elevating it to a large scale, fine art painting. Sketchbooks of figure drawings and dresses are everywhere in my home and studio. I try to sketch every day.”

This month’s cover art "Friendship" is from the series “Breezy and Gullah Mermaids” by Lisa Rivers, who gave us this insight into the painting, “The water represents freedom. The skirts blowing in the wind represents women who are both strong and graceful. The ribbon represents the fight against cancer. My mother died of cancer, and I could feel her spirit flowing through me as I painted this piece,” Lisa explained. She has fought many battles in her life but, through her strength and grace, is a successful artist and entrepreneur today. “Real friendship has a true ‘Breezy’ healing power of love,” Lisa added.

Perry Milou is arguably one of the nation’s most recognized pop artists. Critics and collectors have hailed his bold, vibrant palette over the past 30 years. Considered a talented forward-thinker with diversified inspirations, Milou’s work has often been described as “alluring,” “brilliant,” “fresh” and “glamorous.”

Milou’s ever-evolving style creates a blend of pop culture contemporary art that is frequently a tribute to global icons, Americana and celebrities. His A-list of clients include Sophia Loren, President Joe Biden, Sylvester Stallone, Tom Petty, Robert Herjavec, Taylor Swift, Willie Nelson, Lady Gaga and Allen Iverson.

On 10 acres in Madison Georgia, surrounded by rolling hills, Wyanne Thompson creates energetic abstract art in her orchid-filled studio. She has been a full-time artist for two decades, during which time her work has changed dramatically. Our cover art this month, “Big Diva Riding a Bicycle,” was painted in 2005 as part of a series. Wyanne told us, “After the birth of my two children, I struggled a bit with my weight, and the Big Divas were an expression of my comfort level in being a full-figured gal who could do anything!”

The shift in her work came from a major upheaval in Wyanne’s life: “Surviving stage 4 oral cancer totally changed my perspective on life as an artist. Since my surgery, chemo and radiation treatments (8+ years ago), I realized what a gift cancer was to me in that it taught me that life is just too friggin’ short to be afraid of trying something new. I always wanted to paint larger and more abstractly. One of my favorite artists is Helen Frankenthaler, and I was always inspired by her extremely large abstracts that were painted in such a way that my heart and mind were captured. So, I have been painting much larger, colorful paintings using raw, unprimed canvas and Belgian linen with my own custom-made acrylic colors, inks, pigments, glitter, mica and lately, I’ve added embroidered threads into my canvases.”

Tracy Verdugo is the perfect cover artist for this month’s #YearnToLearn issue. The Australian artist didn’t begin painting until she was 33, when she signed up for a local art class. Tracy continued her work as a Special Education teacher while developing her art and teaching it to neighborhood kids. She is a natural educator, telling us, “Playing teacher was my favorite game as a kid, and I just have this insatiable excitement to pass knowledge along when I’ve made a discovery!” Tracy taught those classes in the afternoon in her backyard shed for 12 years. She “watched so many of the kids grow in confidence by being given the chance to explore possibilities, discard right and wrong and embrace happy accidents!”

Eventually Tracy began to think bigger about her art and her classes, resigning from her full-time job and applying for a major art retreat in California in 2012. She ended up teaching all over the United States during a 12-week tour! Tracy credits the “large and vibrant community” she had on Facebook with helping her grow one opportunity into many. She repeated the tour the next year, adding some new destinations. That tour led to a book deal with a major arts and crafts publisher.

Growing up in the California foothills, Nancy Quiaoit was a natural artist. “Since I was a very young girl I’ve always expressed myself through painting and drawing,” she told us. Although she briefly pursued formal training, Nancy now describes herself as a self-taught artist. “I made this decision when I took a college art class. I didn’t enjoy the class or the restrictions it placed on my creative ideas.” The freedom expressed in her work is evidence that she made the right choice.

This month’s cover art is “The Mermaid Dance.” We asked Nancy why she paints so many mermaids, and why this one is “dancing” with dolphins: “I paint a lot of mermaids because I love women, the ocean and fantasy. Our oceans connect all life. The ocean is powerful yet fragile. I think women are like the ocean in many ways, too. They are strong, give life, can be playful and soft while still being a force of nature. I like to capture their playfulness and ability to nurture. I painted “The Mermaid Dance” after watching dolphins when I was visiting Hawaii. They were so playful and beautiful.” We’re glad you took that trip to Hawaii, Nancy!

Growing up in the California foothills, Nancy Quiaoit was a natural artist. “Since I was a very young girl I’ve always expressed myself through painting and drawing,” she told us. Although she briefly pursued formal training, Nancy now describes herself as a self-taught artist. “I made this decision when I took a college art class. I didn’t enjoy the class or the restrictions it placed on my creative ideas.” The freedom expressed in her work is evidence that she made the right choice.

This month’s cover art is “The Mermaid Dance.” We asked Nancy why she paints so many mermaids, and why this one is “dancing” with dolphins: “I paint a lot of mermaids because I love women, the ocean and fantasy. Our oceans connect all life. The ocean is powerful yet fragile. I think women are like the ocean in many ways, too. They are strong, give life, can be playful and soft while still being a force of nature. I like to capture their playfulness and ability to nurture. I painted “The Mermaid Dance” after watching dolphins when I was visiting Hawaii. They were so playful and beautiful.” We’re glad you took that trip to Hawaii, Nancy!

 The work life of any artist can be chaotic at times, but things get especially interesting when motherhood is added to the mix. Jessica Mingo creates her bright, organic watercolors in her home studio, surrounded by her “three beautiful redheads.” Britta (7), Beck (6) and Hank (2 months) keep her on her toes. “Work time often becomes a mix of answering questions, changing diapers, cleaning up messes and breaking up squabbles,” but she assured us that it’s “all part of motherhood and a career as an artist.”

Jessica knew she wanted to be an artist at age 6. Both of her parents were artists, and she majored in graphic design at college, with a minor in fine art. In addition to her parents, Jessica is inspired by Van Gogh, Monet, Berthe Morisot and Frida Kahlo. She told us, “I am absolutely obsessed with impressionists; I love their take on reality.”

In her high-rise New York City studio, Beverly Brown uses watercolors, pastels and even digital paint to create artwork in her signature ethereal style. Popular with interior designers, her prints can be found in corporate spaces, law firms, hospitals and private homes around the world. Beverly began her career as a fine art and commercial photographer. Her photographs are in the permanent collection of the New York Public Library.

Beverly told us, “My background in photography absolutely figures into my art today. Photography literally means ‘drawing with light.’ While I work with different media now, I think about light like a photographer—the direction of the light, tonal range and feeling of light. I also take photos constantly on my iPhone to use as references for future paintings.”